All Categories > Minnetonka Audio > SurCode > SurCode for Dolby E
13 articles
Scope. Encoding 8 Mono channels of Dolby E Material Using SurCode for Dolby E and Nuendo 4:. Requirements, Steps, Etc. 1. Create 8 Mono Audio Tracks. 2. Import your Audio into the timeline-. 3. Next,…
Updated 2 weeks ago by Logan Sturgeon
Scope. Metadata is additional control information that is carried along with the encoded audio program and provides essential information about the audio to a decoder. Metadata provides many importan…
Scope. File formats are Dolby E, DDE or WAV.. Let us know how we can help. If you have further questions on this topic or have ideas about improving this document, please contact us.
Scope. As a format, Dolby E is sprinkled throughout the industry. In the western markets, the most prevalent being remote trucks and archival work. Dolby E can carry and maintain Dolby Digital metada…
Dolby Digital is designed for transmission to consumers. It has high bandwidth efficiency and is not optimized for multiple encode/decode cycles or editing. Dolby E allows programs to be decoded, pro…
Updated 2 weeks ago by Eric Hufford
Dolby E line position (guard band placement) is a small section of null data, as part of the bit stream, to act as a buffer to avoid frame and CRC errors
Updated 1 year ago by Nick Horowitz
An AC-3 file (Dolby Digital) will not be recognized by a Dolby E encoder as the specification calls for PCM audio
A fixed Pro Tools bug that caused the standard AudioSuite decoding process for SurCode for Dolby E Decoder to stop working
Dolby E is a digital audio compression technology designed for use by TV broadcast and production professionals in and among their facilities
Hardware encoders have a 1 frame latency and the decoders have a 1 frame latency as well
The differences between Dolby Digital and Dolby E
Dolby E Workflow Check List
Decoding Dolby E to PCM in Adobe Premiere Pro CC
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