All Categories > Minnetonka Audio > SurCode > SurCode for Dolby E
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Dolby E line position (guard band placement) is a small section of null data, as part of the bit stream, to act as a buffer to avoid frame and CRC errors. The measurement of where the guard band ends…
Updated 2 months ago by Nick Horowitz
An AC-3 file (Dolby Digital) will not be recognized by a Dolby E encoder as the specification calls for PCM audio; that said, AC-3 metadata can be transferred in the Dolby E stream. Because Pro Logic…
In Pro Tools 2018.7-2018.12, a Pro Tools bug caused the standard AudioSuite decoding process for SurCode for Dolby E Decoder to stop working (this bug was resolved in PT 2019.5 and all versions since…
Dolby E is a digital audio compression technology designed for use by TV broadcast and production professionals in and among their facilities.. It allows an AES/EBU (Audio Engineering Society/Europea…
Hardware encoders have a 1 frame latency and the decoders have a 1 frame latency as well. Offset is often a puzzling setting, so recall that hardware encoders and decoders each have 1 frame of latenc…
Dolby Digital is designed for transmission to consumers. It has high bandwidth efficiency and is not optimized for multiple encode/decode cycles or editing. Dolby E allows programs to be decoded, pro…
Dolby E Workflow Check List: • Make sure your Digital Audio Workstation session is set to 24 bit. • Make sure that no processing whatsoever is being applied to the Dolby E stream, including reditheri…
Decoding Dolby E to PCM in Adobe Premiere Pro CC. Launch Adobe Premiere Pro CC, and Create a New Sequence. Under the Tracks tab: a. Create a Multichannel Master b. Specify the Number of Channels in y…
Updated 3 months ago by Nick Horowitz
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